Ebook Free Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)
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Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)
Ebook Free Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)
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Review
“Vividly written, richly detailed, and insightful from first chapter to last . . . certain to secure a place among the essential studies of the greatest of all writers.†- William E. Cain, Boston Sunday Globe“So engrossing, clearheaded, and lucid that its arrival is not just welcome but cause for celebration.†- Dan Cryer, Newsday“Dazzling and subtle.†- Richard Lacayo, Time“A magnificent achievement.†- Denis Donoghue, Wall Street Journal
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About the Author
Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.
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Product details
Paperback: 464 pages
Publisher: W. W. Norton & Company; Anniversary edition (April 4, 2016)
Language: English
ISBN-10: 0393352609
ISBN-13: 978-0393352603
Product Dimensions:
5.6 x 1.2 x 8.3 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
275 customer reviews
Amazon Best Sellers Rank:
#49,256 in Books (See Top 100 in Books)
It is madness for anyone to attempt to plumb the life of this prolific playwright who oddly left no written record of his personal life or literary influences. For that effort alone, I give author Greenblatt three stars.For the amount of scholarly work and devotion to his daunting subject, I give another star; Greenblatt's love for his subject never wavers despite the obvious frustrations of trying to understand someone so elusive. He maintains that breathless "voice" right to the last page (there are 390 of them). At times his writing can tilt toward dissertation-like brain freeze, but overall this is a thorough and lively analysis of Shakespeare's literary journey.My final star is awarded because Greenblatt kept me engaged in a story in which familiarity was breeding contempt. By page 300 I just didn't like Shakespeare anymore who seemed to use his personal relationships only as a means to an end - to fire his imagination and plot devices. He ruthlessly leveraged personal experiences (like the death of his 11-year old son Hamnet), to produce an immortal body of literature.Most people today love Shakespeare's work but could really care less about the man who wrote them, which makes this book a hard sell. If Shakespeare had lived to see that disconnect, he probably would have appreciated the irony and written a comedy or tragedy about it. He valued words above all else and is remembered for them only and, despite Greenblatt's noble effort, always will.
I'm a huge Shakespeare fan and looked forward to this book perhaps shedding some light on some of the murkier aspects of his life. Unfortunately, the "information" provided runs something like: "Elizabethans often wore gloves and, in fact, Shakespeare mentions a glove in Romeo and Juliet: 'O, that I were a glove upon that hand, That I might touch that cheek!'. Given that Will's father also worked with gloves, we can determine that it's very likely that Shakespeare possibly wore gloves at some point in his life."Ugh. After more than a few of Greenblatt's "insightful facts" I had to stop reading. Tedious and frustrating.
I studied Shakespeare as an undergraduate English literature major, taking the two best courses I ever took in college. I think we read close to half of Shakespeare's plays. Over the years I've seen many of his plays performed, always enjoying them. I've moved far away from English literature as a profession, having gone to graduate school in cognitive psychology and ended up now in a school of computer science. But literature is still an interest. Having read Greenblatt's book while on vacation in Hawaii, I've been flooded again with the emotions I've always felt from reading or seeing Shakespeare. While the book has a considerable amount of speculation, I enjoyed that. The documentary record of Shakespeare's life is famously sketchy, so I find intelligent speculation to be warranted. I'm sure his ideas will be reviewed and discussed for years. But he has made, to me at least, Shakespeare an interesting and believable person of his times. I learned a lot about the interesting interconnections in his life, and the possible sources of ideas seen in the plays. I've read many of the less enthusiastic reviews here, but they do not dampen my own enthusiasm for this volume. It is a superb read.
Dr Greenblatt has achieved that very rare success for an author, and particularly for a successful academic, of producing a book that it not only highly informative on an interesting subject, but is also a pure pleasure to read. He is honest in not claiming an excess of knowledge of Shakespeare personally, since there is so very little, but instead presents excellent research into his times, his profession and other significant individuals about whom more is recorded. For one point, I had not realized exactly how much accuracy was contained in Sir Tom Stoppard's Shakespeare in Love, a fictional production if there ever was one. Similarly, the information and commentary on early Reformation England is unusually worthwhile in explaining just how the unique phenomenon of The Bard's work came about. It is very rare that a book including this much information and commentary is so enjoyable to read. I can't recommend it too highly.
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